| Title | The Tenor - Lirico Spinto (2014) |
| Size | 739 MegaByte |
| Launched | 6 years 4 months 15 days ago |
| Run Time | 02h 08 min |
| Quality | MPEG 1080p DVDrip |
| File Name | the-tenor-lirico-spinto_hcf5q.mkv |
Overview
The talented Korean tenor, Bae, who penetrate the audience's hears through his delicate and powerful singing, is on the rise to stardom at the European opera scene. Sawada, a Japanese music producer, is searching for a new tenor for an upcoming performance. He watches a performance of Bae and invites him to Japan, which marks the beginning of friendship. But, the thyroid cancer strikes Bae. During an operation, the nerves of his vocal cords has be cut due to the widely spread cancer. Unfortunately, Ba ends up losing his voice at the peak of his career. Sawada cant's stand to watch Bae's miserable so he starts to look for a solution.
The Tenor - Lirico Spinto (2014)
Genre: Music, Drama
Cast: 유지태, Yusuke Iseya, Cha Ye-ryun, Kie Kitano, Nataša Tapušković
Crew: Kim Sang-man, Kim Sang-man, Jong-hyeon Choi, Kim Jun-seong, Chae Kyung-hwa
Release: 2014-10-11
Budget: $7,681,978
Revenue: $59,243,196
Engraver: Clay Hirthe I
Court Clerk: Prof. Kendall Mayert Sr.
Management Analyst: Jakob Prosacco
Choreographer: Miss Mikayla Hessel
Packaging Machine Operator: Magnus Barrows
Fire Investigator: Mrs. Ethyl Hane Jr.
Civil Drafter: Annamae McDermott
Agricultural Inspector: Ottis Hettinger
Telephone Station Installer and Repairer: Franz Oberbrunner
Set Designer: Baylee Lubowitz
Video Editor: Tobin Corkery
Director Religious Activities: Virgie Davis
Animal Breeder: Amiya Schoen
Cast: 유지태, Yusuke Iseya, Cha Ye-ryun, Kie Kitano, Nataša Tapušković
Crew: Kim Sang-man, Kim Sang-man, Jong-hyeon Choi, Kim Jun-seong, Chae Kyung-hwa
Release: 2014-10-11
Budget: $7,681,978
Revenue: $59,243,196
Engraver: Clay Hirthe I
Court Clerk: Prof. Kendall Mayert Sr.
Management Analyst: Jakob Prosacco
Choreographer: Miss Mikayla Hessel
Packaging Machine Operator: Magnus Barrows
Fire Investigator: Mrs. Ethyl Hane Jr.
Civil Drafter: Annamae McDermott
Agricultural Inspector: Ottis Hettinger
Telephone Station Installer and Repairer: Franz Oberbrunner
Set Designer: Baylee Lubowitz
Video Editor: Tobin Corkery
Director Religious Activities: Virgie Davis
Animal Breeder: Amiya Schoen
About Mario Lanza The American lirico spinto tenor Mario Lanza 19211959 possessed in the opinion of Plácido Domingo one of the truly great natural tenor voices of the past century—a voice of beauty passion and power His brief but meteoric career included acclaimed performances in opera soldout concert tours millionselling records and the title role in MGMs boxoffice hit .
Although primarily a liricospinto tenor for most of his career especially popular for his Cavaradossi Hoffmann Don José and Canio he quickly moved into more dramatic roles becoming the most acclaimed Otello of his generation In the early 2010s he transitioned from the tenor repertory into almost exclusively baritone parts most .
A Tenor esta es la voz masculina más aguda y se la divide en Ligero es una voz que se caracteriza por ser muy ágil además tiene la capacidad de entontar agilidades y realizar excelentes vocalizaciones Lírico posee mayor firmeza y potencia Líricospinto esta voz posee mayor expresión y potencia que el lírico Además es la que .
At the moment Freddie calls himself a lirico spinto tenor – perfect for young heroes He sounds like a youthful Italian Domingo with a gorgeous baritonal quality to the lower end of his voice building up to a heartrending top His role models are sound ones for a young man with aspirations Corelli and del Monaco and his role choices are .
Ténor lirico spinto Le ténor lirico spinto de litalien spinto litt « poussé » qui caractérise une voix de soprano ou de ténor pouvant soutenir des effets dramatiques pendant un instant plus ou moins long doù le terme de « poussé » possède la même tessiture vocale que le ténor lyrique avec une voix plus ample et .
In the ensuing years Tuckers ample lyric voice evolved into a liricospinto voice of neardramatic proportions If his signature stylistic devices especially his affection for Italianate sobs were not always lauded by the critics the distinctive timbre of his ringing voice his unfailingly secure technique impeccable diction and native .
Also liricospinto Italian for pushed lyric the spinto soprano has the brightness and height of a lyric soprano but can be pushed to dramatic climaxes without strain and may have a somewhat darker timbre Spinto sopranos have a range from approximately B B 3 to high D D 6 Dramatic.
“arguably the most exciting lyrico sic spinto tenor to emerge in over a decade” This is a reference to Decca’s last new lirico spinto tenor Joseph Calleja with whom the label made .
Als Tenor Betonung auf der zweiten Silbe Pl Tenöre wird sowohl die hohe männliche GesangsStimmlage als auch ein Sänger früher auch Tenorist mit dieser Stimmlage Bezeichnung bildete sich mit der beginnenden Mehrstimmigkeit heraus als man die Stimme die den Cantus firmus hielt Tenor von lateinisch tenere „halten“ nannte während die umspielenden Gegenstimmen .
Beniamino Gigli Recanati 20 de marzo de 1890 Roma 30 de noviembre de 1957 fue un tenor lírico italiano nacido el mismo día que el tenor heroico danés Lauritz considerado uno de los mejores tenores de la primera mitad del siglo XX y junto a Enrico Caruso y Jussi Björling era el tenor predilecto para los papeles de tenor lírico en la Metropolitan Opera de Nueva York antes
Although primarily a liricospinto tenor for most of his career especially popular for his Cavaradossi Hoffmann Don José and Canio he quickly moved into more dramatic roles becoming the most acclaimed Otello of his generation In the early 2010s he transitioned from the tenor repertory into almost exclusively baritone parts most .
A Tenor esta es la voz masculina más aguda y se la divide en Ligero es una voz que se caracteriza por ser muy ágil además tiene la capacidad de entontar agilidades y realizar excelentes vocalizaciones Lírico posee mayor firmeza y potencia Líricospinto esta voz posee mayor expresión y potencia que el lírico Además es la que .
At the moment Freddie calls himself a lirico spinto tenor – perfect for young heroes He sounds like a youthful Italian Domingo with a gorgeous baritonal quality to the lower end of his voice building up to a heartrending top His role models are sound ones for a young man with aspirations Corelli and del Monaco and his role choices are .
Ténor lirico spinto Le ténor lirico spinto de litalien spinto litt « poussé » qui caractérise une voix de soprano ou de ténor pouvant soutenir des effets dramatiques pendant un instant plus ou moins long doù le terme de « poussé » possède la même tessiture vocale que le ténor lyrique avec une voix plus ample et .
In the ensuing years Tuckers ample lyric voice evolved into a liricospinto voice of neardramatic proportions If his signature stylistic devices especially his affection for Italianate sobs were not always lauded by the critics the distinctive timbre of his ringing voice his unfailingly secure technique impeccable diction and native .
Also liricospinto Italian for pushed lyric the spinto soprano has the brightness and height of a lyric soprano but can be pushed to dramatic climaxes without strain and may have a somewhat darker timbre Spinto sopranos have a range from approximately B B 3 to high D D 6 Dramatic.
“arguably the most exciting lyrico sic spinto tenor to emerge in over a decade” This is a reference to Decca’s last new lirico spinto tenor Joseph Calleja with whom the label made .
Als Tenor Betonung auf der zweiten Silbe Pl Tenöre wird sowohl die hohe männliche GesangsStimmlage als auch ein Sänger früher auch Tenorist mit dieser Stimmlage Bezeichnung bildete sich mit der beginnenden Mehrstimmigkeit heraus als man die Stimme die den Cantus firmus hielt Tenor von lateinisch tenere „halten“ nannte während die umspielenden Gegenstimmen .
Beniamino Gigli Recanati 20 de marzo de 1890 Roma 30 de noviembre de 1957 fue un tenor lírico italiano nacido el mismo día que el tenor heroico danés Lauritz considerado uno de los mejores tenores de la primera mitad del siglo XX y junto a Enrico Caruso y Jussi Björling era el tenor predilecto para los papeles de tenor lírico en la Metropolitan Opera de Nueva York antes
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